• 👌New interview online👌 - Artist Neha Kudchadkar in conversation with curators Lea Schleiffenbaum and Marie DuPasquier on her ceramic work „Handjob“ and on touch in times of social distancing. Her work is currently featured in their exhibition “Love Letters: Stories of Distant Proximities” at Horse and Pony, Berlin, from the 24th of October until the 22nd of November, 2020. . . Link in bio ☝❀ . . All images and detail shots copyright Neha Kudchadkar . . . . . Thank you: @nehakudchadkar @lea_schleiffenbaum @_display_ @horseandpony_berlin #handjob #socialdistancing #horseandpony #NehaKudchadkar #leaschleiffenbaum #mariedupasquier #artfridgeinterview #artfridge
    0 0
    👌New interview online👌 - Artist Neha Kudchadkar in conversation with curators Lea Schleiffenbaum and Marie DuPasquier on her ceramic work „Handjob“ and on touch in times of social distancing. Her work is currently featured in their exhibition “Love Letters: Stories of Distant Proximities” at Horse and Pony, Berlin, from the 24th of October until the 22nd of November, 2020. . . Link in bio ☝❀ . . All images and detail shots copyright Neha Kudchadkar . . . . . Thank you: @nehakudchadkar @lea_schleiffenbaum @_display_ @horseandpony_berlin #handjob #socialdistancing #horseandpony #NehaKudchadkar #leaschleiffenbaum #mariedupasquier #artfridgeinterview #artfridge
  • @catherinebiocca at @psmgallery with #milkyseas is definitely one of the best shows currently on view in berlin. Don’t miss it! #bgw #grannies #granniesofinstagram #communicationiskey
    0 0
    @catherinebiocca at @psmgallery with #milkyseas is definitely one of the best shows currently on view in berlin. Don’t miss it! #bgw #grannies #granniesofinstagram #communicationiskey
  • “For us, the depiction of the body is about the relationship to one another and to ourselves” Twin-sisters and artist duo Melanie and Stephanie Hausberger (@melstephhausberger) talked to @juergendehm about working in isolation, traditional art techniques and the female body. Read it on @artfridge_de – link in bio 👭 . . . all images © Melanie and Stephanie Hausberger . . . #MelanieandStephanieHausberger #painting #lockdown #juergendehm #southtyrol #artfridge #interview
    0 0
    “For us, the depiction of the body is about the relationship to one another and to ourselves” Twin-sisters and artist duo Melanie and Stephanie Hausberger (@melstephhausberger) talked to @juergendehm about working in isolation, traditional art techniques and the female body. Read it on @artfridge_de – link in bio 👭 . . . all images © Melanie and Stephanie Hausberger . . . #MelanieandStephanieHausberger #painting #lockdown #juergendehm #southtyrol #artfridge #interview
  • “FANTASTIC WOMEN” is one of those rare outstanding exhibitions currently running at @louisianamuseum close to Copenhagen (until 8.11.2020). It shows a selection of 34 women surrealist artists from the 1930s-80s, giving an impressive overview on what art history and its canon have widely ignored so far. Displayed above are
 . . . 1. Frieda Kahlo – La venadita – 1945 2. Leonora Carrington – Self Portrait – 1937 3. Bridget Tichenor – Untitled – 1967 4. Claude Cahun – Untitled – 1936 5. Elsa Thoresen – Classic Landscape – 1937 6. Jane Graverol – The holy Spirit – 1965 7. Lee Miller – Untitled (Rat tails) – 1930 8. Meret Oppenheim – Daphne and Apoll – 1943 9. Meret Oppenheim . . . . #louisianamuseum #fantasticwomen #friedakahlo #meretoppenheim # leonoracarrington #bridgettichenor #ClaudeCahun #ElsaThoresen #JaneGraverol #LeeMiller #artfridge
    0 0
    “FANTASTIC WOMEN” is one of those rare outstanding exhibitions currently running at @louisianamuseum close to Copenhagen (until 8.11.2020). It shows a selection of 34 women surrealist artists from the 1930s-80s, giving an impressive overview on what art history and its canon have widely ignored so far. Displayed above are
 . . . 1. Frieda Kahlo – La venadita – 1945 2. Leonora Carrington – Self Portrait – 1937 3. Bridget Tichenor – Untitled – 1967 4. Claude Cahun – Untitled – 1936 5. Elsa Thoresen – Classic Landscape – 1937 6. Jane Graverol – The holy Spirit – 1965 7. Lee Miller – Untitled (Rat tails) – 1930 8. Meret Oppenheim – Daphne and Apoll – 1943 9. Meret Oppenheim . . . . #louisianamuseum #fantasticwomen #friedakahlo #meretoppenheim # leonoracarrington #bridgettichenor #ClaudeCahun #ElsaThoresen #JaneGraverol #LeeMiller #artfridge
  • “local talent” curated by Thomas Demand at @spruethmagers in Berlin (until 22 Aug 2020) shows works by 25 Berlin based artist . It is a nice show that includes some actually funny works by some great artists, each responding directly to the covid-19 crisis of the past five months. . . . . Images 1 - Thea Djordjadze  2 - Rosemarie Trockel 3 - Sam Durant and Thea Djordjadze  4 - Andreas Slominski 5 - Omer Fast 6 - Jason Dodge . . . . #TheaDjordjadze #RosemarieTrockel #SamDurant #AndreasSlominski #OmerFast #JasonDodge #artfridge #localtalent
    0 0
    “local talent” curated by Thomas Demand at @spruethmagers in Berlin (until 22 Aug 2020) shows works by 25 Berlin based artist . It is a nice show that includes some actually funny works by some great artists, each responding directly to the covid-19 crisis of the past five months. . . . . Images 1 - Thea Djordjadze  2 - Rosemarie Trockel 3 - Sam Durant and Thea Djordjadze  4 - Andreas Slominski 5 - Omer Fast 6 - Jason Dodge . . . . #TheaDjordjadze #RosemarieTrockel #SamDurant #AndreasSlominski #OmerFast #JasonDodge #artfridge #localtalent
  • #henrytaylor „Hammons meets a hyena on holidays“ (2016) „In Hammons meets a hyena on holiday, Taylor presents a multi-layered scene. He draws directly from a photograph of artist David Hammons’s 1983 performance piece, Bliz-aard Ball Sale, in which Hammons sells snowballs on a New York City sidewalk. In the painting, Taylor transforms the coat hanging on the gate to the right in the photograph into Santa Claus’s red jacket, while Santa’s sleigh takes off in the background. The building behind Hammons is no longer a New York skyscraper, but the Mosque of DjennĂ© in central Mali, built in 1907. The hyena may be a reference to the hyena men of Nigeria, travelling street performers popularized by South African photographer Pieter Hugo. In choosing Hammons—an African American artist—as his subject and reimagining the setting in Africa, Taylor celebrates black excellence in art and culture, displaying both his wry sense of humor and critical social commentary.“ text via @nashermuseum // #blacklivesmatter #fuckracism #âœŠđŸżâœŠđŸ»âœŠđŸŒâœŠđŸœâœŠđŸŸ
    0 0
    #henrytaylor „Hammons meets a hyena on holidays“ (2016) „In Hammons meets a hyena on holiday, Taylor presents a multi-layered scene. He draws directly from a photograph of artist David Hammons’s 1983 performance piece, Bliz-aard Ball Sale, in which Hammons sells snowballs on a New York City sidewalk. In the painting, Taylor transforms the coat hanging on the gate to the right in the photograph into Santa Claus’s red jacket, while Santa’s sleigh takes off in the background. The building behind Hammons is no longer a New York skyscraper, but the Mosque of DjennĂ© in central Mali, built in 1907. The hyena may be a reference to the hyena men of Nigeria, travelling street performers popularized by South African photographer Pieter Hugo. In choosing Hammons—an African American artist—as his subject and reimagining the setting in Africa, Taylor celebrates black excellence in art and culture, displaying both his wry sense of humor and critical social commentary.“ text via @nashermuseum // #blacklivesmatter #fuckracism #âœŠđŸżâœŠđŸ»âœŠđŸŒâœŠđŸœâœŠđŸŸ
  • When in Cologne: „Alles Notwendige“ includes works from the @braunsfelderfamilycollection — a beautiful hidden exhibition space in Ehrenfeld. On view until 30th of May, then opening a new show with works by Oliver Osborne curated by @________nils . . . Images 1 Jo Baer - Untitled- 1960 2 David Ostrowski - F (A thing is a thing in a whole which it’s not) - 2013 3 Sophie von Hellermann - Goth on the phone - 1999 4 Jesse Darling - The Lion and the Batman in the Garden - 2018 5 Penny Goring - Art Hell - 2019 . . . #JoBaer #DavidOstrowski #SophievonHellermann #JesseDarling #PennyGoring #braunsfelderfamilycollection
    0 0
    When in Cologne: „Alles Notwendige“ includes works from the @braunsfelderfamilycollection — a beautiful hidden exhibition space in Ehrenfeld. On view until 30th of May, then opening a new show with works by Oliver Osborne curated by @________nils . . . Images 1 Jo Baer - Untitled- 1960 2 David Ostrowski - F (A thing is a thing in a whole which it’s not) - 2013 3 Sophie von Hellermann - Goth on the phone - 1999 4 Jesse Darling - The Lion and the Batman in the Garden - 2018 5 Penny Goring - Art Hell - 2019 . . . #JoBaer #DavidOstrowski #SophievonHellermann #JesseDarling #PennyGoring #braunsfelderfamilycollection
  • “An exploration of systems of representation and cultural control underpins my recent work” –– Ailbhe NĂ­ Bhriain, a fascinating multi media and video artist, on how she addresses cultural narratives both in her current exhibition at @domobaal gallery and her video works such as “Inscriptions (One Here Now)”, which is part of the Artists’ Film International, hosted by @whitechapelgallery . Read the full interview with @ailbhenibhriain conducted by @minekaplangi, on www.artfridge.de / link in bio → . . . . . Images 1: Ailbhe NĂ­ Bhriain “Inscriptions of an Immense Theatre “, Film Still, 2018 © the artist 2: Ailbhe NĂ­ Bhriain "Inscriptions IV" at Domobaal in London, Photo: Andy Keate, © the artist 3: Ailbhe NĂ­ Bhriain "Inscriptions IV" at Domobaal in London, Photo: Andy Keate, © the artist 4: Ailbhe NĂ­ Bhriain “Inscriptions of an Immense Theatre “, Film Still, 2018 © the artist . . . . #AilbheNĂ­Bhriain #interview #videoart #minaplangi #artfridge #whitechapelgallery #snail #domobaalgallery #london
    0 0
    “An exploration of systems of representation and cultural control underpins my recent work” –– Ailbhe NĂ­ Bhriain, a fascinating multi media and video artist, on how she addresses cultural narratives both in her current exhibition at @domobaal gallery and her video works such as “Inscriptions (One Here Now)”, which is part of the Artists’ Film International, hosted by @whitechapelgallery . Read the full interview with @ailbhenibhriain conducted by @minekaplangi, on www.artfridge.de / link in bio → . . . . . Images 1: Ailbhe NĂ­ Bhriain “Inscriptions of an Immense Theatre “, Film Still, 2018 © the artist 2: Ailbhe NĂ­ Bhriain "Inscriptions IV" at Domobaal in London, Photo: Andy Keate, © the artist 3: Ailbhe NĂ­ Bhriain "Inscriptions IV" at Domobaal in London, Photo: Andy Keate, © the artist 4: Ailbhe NĂ­ Bhriain “Inscriptions of an Immense Theatre “, Film Still, 2018 © the artist . . . . #AilbheNĂ­Bhriain #interview #videoart #minaplangi #artfridge #whitechapelgallery #snail #domobaalgallery #london
  • “Fiction was simply more true to my image of the thing than documentary reality” –– A new interview with the inspiring Hawaiian artist @notandygraydon on the collaborative work with scientists, on the notion of islandness and the role of fiction for future imaginaries. Read the full interview, conducted by #heleneromakin, on www.artfridge.de / link in bio → . . . . . Images 1: Andy Graydon, Excerpt: "The Transect in Three or Four Modes of Observation" (2018), courtesy and © the artist 2: Andy Graydon "A*", courtesy and © the artist. . . #andygraydon #interview #videoart #fictionaldocumentary #Hawaii #islandness
    0 0
    “Fiction was simply more true to my image of the thing than documentary reality” –– A new interview with the inspiring Hawaiian artist @notandygraydon on the collaborative work with scientists, on the notion of islandness and the role of fiction for future imaginaries. Read the full interview, conducted by #heleneromakin, on www.artfridge.de / link in bio → . . . . . Images 1: Andy Graydon, Excerpt: "The Transect in Three or Four Modes of Observation" (2018), courtesy and © the artist 2: Andy Graydon "A*", courtesy and © the artist. . . #andygraydon #interview #videoart #fictionaldocumentary #Hawaii #islandness