• Artist @_martingross is presenting his new works at @kunstraumpotsdam until January 5, 2020 in the group exhibition “Well, what’s the matter with you, Mr. Walker?” together with Phillip Langer. . . . #kunstraumpotsdam #martingross #mrwalker #potsdam
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    Artist @_martingross is presenting his new works at @kunstraumpotsdam until January 5, 2020 in the group exhibition “Well, what’s the matter with you, Mr. Walker?” together with Phillip Langer. . . . #kunstraumpotsdam #martingross #mrwalker #potsdam
  • You should not miss this exhibition! #Repost @monopolmagazin ・・・ #monopolshows: Music and natural sciences play an important role in Carsten Nicolai’s art, so it comes as no surprise that he is often creating and examining patterns. His show “Parralax Symmetry” currently on view at K21 Düsseldorf is no exception. The exhibition is centered around the phenomenon of parralax, a term used to describe the illusion of change to an object’s position caused by a shift in the viewer’s perspective. The artist who releases music under the pseudonym Alva Noto has filled the basement of the contemporary art museum with a large-scale symmetrical sound and light installation whose manifold qualities are best experienced in motion. Besides several installations, the show also includes videos from “future past perfect”, an ongoing series in which he traces out the surface of structures that fascinate him – from craters, clouds and fluids to brutalist housing units. “Carsten Nicolai: Parralax Symmetry” is on view at K21 Düsseldorf until the 19th of January 2020 __ Carsten Nicolai “future past perfect pt.1 (sononda)”, 2010, Videostill. © @kunstsammlungnrw  #CarstenNicolai #K21 #parallaxsymmetry
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    You should not miss this exhibition! #Repost @monopolmagazin ・・・ #monopolshows: Music and natural sciences play an important role in Carsten Nicolai’s art, so it comes as no surprise that he is often creating and examining patterns. His show “Parralax Symmetry” currently on view at K21 Düsseldorf is no exception. The exhibition is centered around the phenomenon of parralax, a term used to describe the illusion of change to an object’s position caused by a shift in the viewer’s perspective. The artist who releases music under the pseudonym Alva Noto has filled the basement of the contemporary art museum with a large-scale symmetrical sound and light installation whose manifold qualities are best experienced in motion. Besides several installations, the show also includes videos from “future past perfect”, an ongoing series in which he traces out the surface of structures that fascinate him – from craters, clouds and fluids to brutalist housing units. “Carsten Nicolai: Parralax Symmetry” is on view at K21 Düsseldorf until the 19th of January 2020 __ Carsten Nicolai “future past perfect pt.1 (sononda)”, 2010, Videostill. © @kunstsammlungnrw  #CarstenNicolai #K21 #parallaxsymmetry
  • Until December 19 we are presenting new works by the Leipzig painter @titusschade at Galerie EIGEN + ART Leipzig. If you are around Stuttgart in the next days, don’t miss the opening of the solo show by Titus Schade at Galerie der Stadt Backnang, on Friday, November 22. . . . #titusschade #altstadt #leipzig #backnang Photos: Uwe Walter, Berlin
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    Until December 19 we are presenting new works by the Leipzig painter @titusschade at Galerie EIGEN + ART Leipzig. If you are around Stuttgart in the next days, don’t miss the opening of the solo show by Titus Schade at Galerie der Stadt Backnang, on Friday, November 22. . . . #titusschade #altstadt #leipzig #backnang Photos: Uwe Walter, Berlin
  • Right after West Bund in Shanghai, we are back in Germany and exhibiting at @artduesseldorf until Sunday, November 17. At booth C10, we are presenting works by the artists Tom Anholt, Igor Hosnedl, Maix Mayer, Lada Nakonechna, Carsten Nicolai, Ricarda Roggan, Kristina Schuldt and Ulrike Theusner. If you are around, we would be glad to welcome you! . Moreover, you should take some time and visit Carsten Nicolai with his solo exhibition Parallax Symmetry at @kunstsammlungnrw, also in Düsseldorf. In this show, a dense selection of works by the artist is exhibited which literally invites you to dive into a different world in this lower floor of K21. . . . #artduesseldorf #galerie_eigenart #carstennicolai
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    Right after West Bund in Shanghai, we are back in Germany and exhibiting at @artduesseldorf until Sunday, November 17. At booth C10, we are presenting works by the artists Tom Anholt, Igor Hosnedl, Maix Mayer, Lada Nakonechna, Carsten Nicolai, Ricarda Roggan, Kristina Schuldt and Ulrike Theusner. If you are around, we would be glad to welcome you! . Moreover, you should take some time and visit Carsten Nicolai with his solo exhibition Parallax Symmetry at @kunstsammlungnrw, also in Düsseldorf. In this show, a dense selection of works by the artist is exhibited which literally invites you to dive into a different world in this lower floor of K21. . . . #artduesseldorf #galerie_eigenart #carstennicolai
  • Until December 19, there is the first solo show by the artist @titusschade at Galerie EIGEN + ART in Leipzig. @larissa_kikol wrote in the exhibition text about his works: “Titus Schade's village and city spaces are cold, inhospitable, alienating, and, in an uncanny way, powerfully electrifying. Half-timbered buildings, long chimneys, pre-fab slab constructions, moonlight, fireplaces, birdhouses, tidy shelves, and storms are the typical vocabulary of form with which his pictorial worlds are built up. These worlds are unmistakably characterized by Schade's almost compulsive and autistic order; his painterly signature is not his gestures, but his dramaturgical management of order...” . . . Titus Schade, Der Garagenhof, 2019, Oil and acrylic on canvas, 50 x 70 cm, Photo: Uwe Walter, Berlin . #leipzig #titusschade #painting #garagenhof
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    Until December 19, there is the first solo show by the artist @titusschade at Galerie EIGEN + ART in Leipzig. @larissa_kikol wrote in the exhibition text about his works: “Titus Schade's village and city spaces are cold, inhospitable, alienating, and, in an uncanny way, powerfully electrifying. Half-timbered buildings, long chimneys, pre-fab slab constructions, moonlight, fireplaces, birdhouses, tidy shelves, and storms are the typical vocabulary of form with which his pictorial worlds are built up. These worlds are unmistakably characterized by Schade's almost compulsive and autistic order; his painterly signature is not his gestures, but his dramaturgical management of order...” . . . Titus Schade, Der Garagenhof, 2019, Oil and acrylic on canvas, 50 x 70 cm, Photo: Uwe Walter, Berlin . #leipzig #titusschade #painting #garagenhof
  • For the first time we are participating in @westbundartfair Shanghai with works by Marc Desgrandchamps, Tim Eitel, Martin Gross, Uwe Kowski, Olaf Nicolai, Kai Schiemenz, David Schnell and Neo Rauch. Please step by at our booth N102. . . . #westbundartfair #shanghai #artfair Photos: Otto Felber, Berlin
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    For the first time we are participating in @westbundartfair Shanghai with works by Marc Desgrandchamps, Tim Eitel, Martin Gross, Uwe Kowski, Olaf Nicolai, Kai Schiemenz, David Schnell and Neo Rauch. Please step by at our booth N102. . . . #westbundartfair #shanghai #artfair Photos: Otto Felber, Berlin
  • Last Thursday we opened the solo show “A planets revolution” by the British artist @ryanmosley01 at the Berlin gallery space. . “His fourth solo show at Galerie EIGEN + ART marks a shift of tone and feeling. Its title, A planets revolution, nods in the direction of our political uncertainties as never before. A mood of perplexity seems to transform the romp of his heightened colours into exaggeratedly desperate throws of optimism.” Extract from the text by Michael Glover . . . Ryan Mosley Under a strange canopy, 2019 Oil on canvas 183 x 150 cm . Ryan Mosley Hands turn, 2019 Oil on canvas 120 x 90 cm
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    Last Thursday we opened the solo show “A planets revolution” by the British artist @ryanmosley01 at the Berlin gallery space. . “His fourth solo show at Galerie EIGEN + ART marks a shift of tone and feeling. Its title, A planets revolution, nods in the direction of our political uncertainties as never before. A mood of perplexity seems to transform the romp of his heightened colours into exaggeratedly desperate throws of optimism.” Extract from the text by Michael Glover . . . Ryan Mosley Under a strange canopy, 2019 Oil on canvas 183 x 150 cm . Ryan Mosley Hands turn, 2019 Oil on canvas 120 x 90 cm
  • This week is the last chance to see the wonderful sculptures by @stellahamberg_ in her current solo exhibition at our gallery in Leipzig! Make sure to step by, we are daily open from 11am - 6pm. . . . #jubiläum #stellahamberg #leipzig #exhibition Photos: Uwe Walter, Berlin
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    This week is the last chance to see the wonderful sculptures by @stellahamberg_ in her current solo exhibition at our gallery in Leipzig! Make sure to step by, we are daily open from 11am - 6pm. . . . #jubiläum #stellahamberg #leipzig #exhibition Photos: Uwe Walter, Berlin
  • Until this Friday, October 18, you have the chance to discover Olaf Nicolai‘s exhibition and artwork HOW TO FANCY THE LIGHT OF A CANDLE AFTER IT IS BLOWN OUT at the Berlin gallery. Come by between 11am and 6pm. We’re looking forward to seeing you! . . . #olafnicolai #howtofancy #berlin #galerie_eigenart #light
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    Until this Friday, October 18, you have the chance to discover Olaf Nicolai‘s exhibition and artwork HOW TO FANCY THE LIGHT OF A CANDLE AFTER IT IS BLOWN OUT at the Berlin gallery. Come by between 11am and 6pm. We’re looking forward to seeing you! . . . #olafnicolai #howtofancy #berlin #galerie_eigenart #light
  • Wir gratulieren Birgit Brenner! Sie ist die Preisträgerin des Wolfsburger Kunstpreises „Junge Stadt sieht Junge Kunst“ für das Jahr 2020. Die Jury begründet ihre Entscheidung durch die Aktualität, die Brenners künstlerische Arbeit hat: „Birgit Brenner setzt sich in ihren Arbeiten gesellschaftskritisch mit dem Alltag auseinander. Sie hat eine ganz eigene Bildsprache entwickelt, die sich nicht auf ein Medium beschränkt. In der Gegenüberstellung von analogen und digitalen Sehmustern, von Perfektion und Do-it-yourself, von realem Leben und künstlicher Konstruktion formuliert die Künstlerin Kommentare und Fragen zu aktuell virulenten Themen.“ Im nächsten Jahr wird es deshalb eine Einzelausstellung in der Städtischen Galerie mit Birgit Brenner geben, auf die wir uns jetzt schon sehr freuen! . . . #birgitbrenner #wolfsburg @staedtischegalerie_wolfsburg #artaward
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    Wir gratulieren Birgit Brenner! Sie ist die Preisträgerin des Wolfsburger Kunstpreises „Junge Stadt sieht Junge Kunst“ für das Jahr 2020. Die Jury begründet ihre Entscheidung durch die Aktualität, die Brenners künstlerische Arbeit hat: „Birgit Brenner setzt sich in ihren Arbeiten gesellschaftskritisch mit dem Alltag auseinander. Sie hat eine ganz eigene Bildsprache entwickelt, die sich nicht auf ein Medium beschränkt. In der Gegenüberstellung von analogen und digitalen Sehmustern, von Perfektion und Do-it-yourself, von realem Leben und künstlicher Konstruktion formuliert die Künstlerin Kommentare und Fragen zu aktuell virulenten Themen.“ Im nächsten Jahr wird es deshalb eine Einzelausstellung in der Städtischen Galerie mit Birgit Brenner geben, auf die wir uns jetzt schon sehr freuen! . . . #birgitbrenner #wolfsburg @staedtischegalerie_wolfsburg #artaward