• Love this shot from @powellfineartadvisory ・・・ “Install in action! Sharing with clients what this out of this world Miya Ando tondo would look like above their bed. Titled ‘Blue Pink Purple Shift Moon 47’ these devastatingly beautiful paintings shift in color as you move in the space. Made from dye, pigment and resin on aluminum, they really are like nothing I’ve ever seen before.” . Miya Ando’s new show “Calendar of Moons” opens at the Chelsea Gallery Sept. 24. Click the link in our bio to visit our web site to learn more. . #artadvisor #artadvisory #artinstallation #miyaando #landscape #abstractart #fineart #painting #sundaramtagoregallery #nightskyart #themoon
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    Love this shot from @powellfineartadvisory ・・・ “Install in action! Sharing with clients what this out of this world Miya Ando tondo would look like above their bed. Titled ‘Blue Pink Purple Shift Moon 47’ these devastatingly beautiful paintings shift in color as you move in the space. Made from dye, pigment and resin on aluminum, they really are like nothing I’ve ever seen before.” . Miya Ando’s new show “Calendar of Moons” opens at the Chelsea Gallery Sept. 24. Click the link in our bio to visit our web site to learn more. . #artadvisor #artadvisory #artinstallation #miyaando #landscape #abstractart #fineart #painting #sundaramtagoregallery #nightskyart #themoon
  • Happy 8th birthday gorgeous @gillmanbarracks! We opened the gallery and the complex September 15, 2012. . What a party it was! Full of friends and family and flowers and art. I’ll never forget the lion dancers who chased away the malevolent spirits and brought us good luck. We’re still enjoying it today! Thanks to @melanie.taylor, Alessia Levonique Candra, Rachel Teo and the other wonderful humans who have made STG Singapore possible 🙏🏻 . #sundaramtagoregallery #gillmanbarracks #singapore #singapore🇸🇬 #singaporegallery
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    Happy 8th birthday gorgeous @gillmanbarracks! We opened the gallery and the complex September 15, 2012. . What a party it was! Full of friends and family and flowers and art. I’ll never forget the lion dancers who chased away the malevolent spirits and brought us good luck. We’re still enjoying it today! Thanks to @melanie.taylor, Alessia Levonique Candra, Rachel Teo and the other wonderful humans who have made STG Singapore possible 🙏🏻 . #sundaramtagoregallery #gillmanbarracks #singapore #singapore🇸🇬 #singaporegallery
  • "Miya Ando: Calendar of Moons (Tsuki Koyomi)" kicks off our fall season. It opens at the Chelsea gallery Sept. 24. . In the early stages of lockdown, the New York- and Los Angeles-based artist immersed herself in an investigation of indigo, which she's used to create a series of moon drawings based on her observations of the night sky. She produced one every day of the closure as a way to mark time and chronicle the experience. The drawings inspired an entirely new body of work, including the piece pictured here. . One of the highlights of the show, this large-scale installation is comprised of 72 small indigo paintings on wood depicting the moon in different stages. The number of panels refers to an ancient Chinese calendar system—later adapted by Japan—in which there are 24 primary seasons segmented into 72 micro-seasons per year. The paintings are arranged in chronological order, with each panel capturing the moon at a specific moment during 2020. Ando borrows from the traditional Japanese indigo dyeing technique "aizome," which preserves the natural color of the wood in select areas, allowing her to use negative space to create the moon and stars. . You can see this work and more when the show opens Thursday, Sept. 24. Viewing is by appointment. . Pictured: Detail from "72 Seasons' Moons," 2020, indigo and micronized silver on wood panel, 96 x 108 inches/243.8 x 274.3 cm . #sundaramtagoregallery #miyaando #indigo #moon #nightsky #nightskypainting #nightskyart #chelseagallery
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    "Miya Ando: Calendar of Moons (Tsuki Koyomi)" kicks off our fall season. It opens at the Chelsea gallery Sept. 24. . In the early stages of lockdown, the New York- and Los Angeles-based artist immersed herself in an investigation of indigo, which she's used to create a series of moon drawings based on her observations of the night sky. She produced one every day of the closure as a way to mark time and chronicle the experience. The drawings inspired an entirely new body of work, including the piece pictured here. . One of the highlights of the show, this large-scale installation is comprised of 72 small indigo paintings on wood depicting the moon in different stages. The number of panels refers to an ancient Chinese calendar system—later adapted by Japan—in which there are 24 primary seasons segmented into 72 micro-seasons per year. The paintings are arranged in chronological order, with each panel capturing the moon at a specific moment during 2020. Ando borrows from the traditional Japanese indigo dyeing technique "aizome," which preserves the natural color of the wood in select areas, allowing her to use negative space to create the moon and stars. . You can see this work and more when the show opens Thursday, Sept. 24. Viewing is by appointment. . Pictured: Detail from "72 Seasons' Moons," 2020, indigo and micronized silver on wood panel, 96 x 108 inches/243.8 x 274.3 cm . #sundaramtagoregallery #miyaando #indigo #moon #nightsky #nightskypainting #nightskyart #chelseagallery
  • "Miya Ando: Calendar of Moons (Tsuki Koyomi)" kicks off our fall season. It opens at the Chelsea gallery Sept. 24. . In the early stages of lockdown, the New York- and Los Angeles-based artist immersed herself in an investigation of indigo, which she's used to create a series of moon drawings based on her observations of the night sky. She produced one every day of the closure as a way to mark time and chronicle the experience. The drawings inspired an entirely new body of work, including the piece pictured here. . One of the highlights of the show, this large-scale installation is comprised of 72 small indigo paintings on wood depicting the moon in different stages. The number of panels refers to an ancient Chinese calendar system—later adapted by Japan—in which there are 24 primary seasons segmented into 72 micro-seasons per year. The paintings are arranged in chronological order, with each panel capturing the moon at a specific moment during 2020. Ando borrows from the traditional Japanese indigo dyeing technique "aizome," which preserves the natural color of the wood in select areas, allowing her to use negative space to create the moon and stars. . You can see this work and more when the show opens Thursday, Sept. 24. Viewing is by appointment. . Pictured: Detail from "72 Seasons' Moons," 2020, indigo and micronized silver on wood panel, 96 x 108 inches/243.8 x 274.3 cm . #sundaramtagoregallery #miyaando #indigo #moon #nightsky #nightskypainting #nightskyart #chelseagallery #moonphases
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    "Miya Ando: Calendar of Moons (Tsuki Koyomi)" kicks off our fall season. It opens at the Chelsea gallery Sept. 24. . In the early stages of lockdown, the New York- and Los Angeles-based artist immersed herself in an investigation of indigo, which she's used to create a series of moon drawings based on her observations of the night sky. She produced one every day of the closure as a way to mark time and chronicle the experience. The drawings inspired an entirely new body of work, including the piece pictured here. . One of the highlights of the show, this large-scale installation is comprised of 72 small indigo paintings on wood depicting the moon in different stages. The number of panels refers to an ancient Chinese calendar system—later adapted by Japan—in which there are 24 primary seasons segmented into 72 micro-seasons per year. The paintings are arranged in chronological order, with each panel capturing the moon at a specific moment during 2020. Ando borrows from the traditional Japanese indigo dyeing technique "aizome," which preserves the natural color of the wood in select areas, allowing her to use negative space to create the moon and stars. . You can see this work and more when the show opens Thursday, Sept. 24. Viewing is by appointment. . Pictured: Detail from "72 Seasons' Moons," 2020, indigo and micronized silver on wood panel, 96 x 108 inches/243.8 x 274.3 cm . #sundaramtagoregallery #miyaando #indigo #moon #nightsky #nightskypainting #nightskyart #chelseagallery #moonphases
  • "Miya Ando: Calendar of Moons (Tsuki Koyomi)" kicks off our fall season. It opens at the Chelsea gallery Sept. 24. . In the early stages of lockdown, the New York- and Los Angeles-based artist immersed herself in an investigation of indigo, which she's used to create a series of moon drawings based on her observations of the night sky. She produced one every day of the closure as a way to mark time and chronicle the experience. The drawings inspired an entirely new body of work, including the piece pictured here. . One of the highlights of the show, this large-scale installation is comprised of 72 small indigo paintings on wood depicting the moon in different stages. The number of panels refers to an ancient Chinese calendar system—later adapted by Japan—in which there are 24 primary seasons segmented into 72 micro-seasons per year. The paintings are arranged in chronological order, with each panel capturing the moon at a specific moment during 2020. Ando borrows from the traditional Japanese indigo dyeing technique "aizome," which preserves the natural color of the wood in select areas, allowing her to use negative space to create the moon and stars. . You can see this work and more when the show opens Thursday, Sept. 24. Viewing is by appointment. . Pictured: Detail from "72 Seasons' Moons," 2020, indigo and micronized silver on wood panel, 96 x 108 inches/243.8 x 274.3 cm . #sundaramtagoregallery #miyaando #indigo #moon #nightsky #nightskypainting #nightskyart #chelseagallery
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    "Miya Ando: Calendar of Moons (Tsuki Koyomi)" kicks off our fall season. It opens at the Chelsea gallery Sept. 24. . In the early stages of lockdown, the New York- and Los Angeles-based artist immersed herself in an investigation of indigo, which she's used to create a series of moon drawings based on her observations of the night sky. She produced one every day of the closure as a way to mark time and chronicle the experience. The drawings inspired an entirely new body of work, including the piece pictured here. . One of the highlights of the show, this large-scale installation is comprised of 72 small indigo paintings on wood depicting the moon in different stages. The number of panels refers to an ancient Chinese calendar system—later adapted by Japan—in which there are 24 primary seasons segmented into 72 micro-seasons per year. The paintings are arranged in chronological order, with each panel capturing the moon at a specific moment during 2020. Ando borrows from the traditional Japanese indigo dyeing technique "aizome," which preserves the natural color of the wood in select areas, allowing her to use negative space to create the moon and stars. . You can see this work and more when the show opens Thursday, Sept. 24. Viewing is by appointment. . Pictured: Detail from "72 Seasons' Moons," 2020, indigo and micronized silver on wood panel, 96 x 108 inches/243.8 x 274.3 cm . #sundaramtagoregallery #miyaando #indigo #moon #nightsky #nightskypainting #nightskyart #chelseagallery
  • You can catch my documentary film "Louis Kahn's Tiger City" on New York's flagship PBS streaming service All Arts this Monday, Sept. 7, at 8 pm EST, and again at 12 am EST. . Tune in to the All Arts channel on Spectrum (channel 1276), Comcast (channel 958) and Verizon Fios (channel 497) or click the link in our bio to see more viewing options. . "Louis Kahn's Tiger City" is also streaming on Amazon Prime, where you can watch it any time. . Against all odds, American architect Louis Kahn designed a dazzling monument to democracy in war-torn Bangladesh. I spent 7 years traveling around the globe following in Kahn’s footsteps exploring his extraordinary genius and the wealth of architectural forms, from Rome to India, that inspired his epic achievement. . The film features B.V. Doshi, Steven Holl, Nathaniel Kahn and Academy Award winner Debra Winger. . This film was a labor of love. I hope you'll find as much inspiration and power in Kahn's incredible forms as I have. . #sundaramtagoregallery #louiskahn #louiskahnarchitect #louiskahnstigercity #bangladesh #dhaka #architecture #architects #architecturedesign @allartstv @aianational @amazonprimevideo @archdaily @stevenhollarchitects @archdigestindia @riba @raic_irac @safdiearchitects
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    You can catch my documentary film "Louis Kahn's Tiger City" on New York's flagship PBS streaming service All Arts this Monday, Sept. 7, at 8 pm EST, and again at 12 am EST. . Tune in to the All Arts channel on Spectrum (channel 1276), Comcast (channel 958) and Verizon Fios (channel 497) or click the link in our bio to see more viewing options. . "Louis Kahn's Tiger City" is also streaming on Amazon Prime, where you can watch it any time. . Against all odds, American architect Louis Kahn designed a dazzling monument to democracy in war-torn Bangladesh. I spent 7 years traveling around the globe following in Kahn’s footsteps exploring his extraordinary genius and the wealth of architectural forms, from Rome to India, that inspired his epic achievement. . The film features B.V. Doshi, Steven Holl, Nathaniel Kahn and Academy Award winner Debra Winger. . This film was a labor of love. I hope you'll find as much inspiration and power in Kahn's incredible forms as I have. . #sundaramtagoregallery #louiskahn #louiskahnarchitect #louiskahnstigercity #bangladesh #dhaka #architecture #architects #architecturedesign @allartstv @aianational @amazonprimevideo @archdaily @stevenhollarchitects @archdigestindia @riba @raic_irac @safdiearchitects
  • #newyork #cornmoon #citylife . So long summer. 🌞
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    #newyork #cornmoon #citylife . So long summer. 🌞
  • Love this celebratory post from Indian-born artist Neha Vedpathak @nehavedpathak . It’s an ode to Detroit, her adopted city, a city with a rich cultural and creative history. . She writes: “It’s been exactly four years today since we moved to Detroit. And what a ride it has been!! I want to take a min to soak up this moment and reflect a bit on my Detroit journey thus far. Firstly, I am grateful and happy to call this place my home, to have neighbors and colleagues who have embraced me with open arms. Living in the city has given me the richness of experiences that I wouldn’t have otherwise. These experiences and insights have informed and fueled my work. The city has been my muse for so much of my work in the recent years and I’m grateful for that. This place given me my studio and my home. Also true is that the last four years has been an absolute grind -with non stop work, many unique challenges, loses and ups and downs. But on the whole, I am here to tell the tale and I intend to be here. I hope I have contributed to the city and it’s art community in my own small way. I❤️Detroit. P.S. - Also four years ago today, our dear Kai came into this world. I’m so happy to share this day with him.”@agustinadiezsierra ❤️ . Click the link in our bio to see more of Vedpathak‘s work in the online exhibition “Surface Rhythm.” . #wearestrongertogether #detroit #city #home #love #artist #DIA #studio #reflection #contemporaryart #nehavedpathak #4years #artkeepsgoing
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    Love this celebratory post from Indian-born artist Neha Vedpathak @nehavedpathak . It’s an ode to Detroit, her adopted city, a city with a rich cultural and creative history. . She writes: “It’s been exactly four years today since we moved to Detroit. And what a ride it has been!! I want to take a min to soak up this moment and reflect a bit on my Detroit journey thus far. Firstly, I am grateful and happy to call this place my home, to have neighbors and colleagues who have embraced me with open arms. Living in the city has given me the richness of experiences that I wouldn’t have otherwise. These experiences and insights have informed and fueled my work. The city has been my muse for so much of my work in the recent years and I’m grateful for that. This place given me my studio and my home. Also true is that the last four years has been an absolute grind -with non stop work, many unique challenges, loses and ups and downs. But on the whole, I am here to tell the tale and I intend to be here. I hope I have contributed to the city and it’s art community in my own small way. I❤️Detroit. P.S. - Also four years ago today, our dear Kai came into this world. I’m so happy to share this day with him.”@agustinadiezsierra ❤️ . Click the link in our bio to see more of Vedpathak‘s work in the online exhibition “Surface Rhythm.” . #wearestrongertogether #detroit #city #home #love #artist #DIA #studio #reflection #contemporaryart #nehavedpathak #4years #artkeepsgoing
  • Wonderful call this morning with Brett Littman, director of the Isamu Noguchi Foundation and Garden, and Thaddeus Mosley, Andy Goldsworthy and Ghada Amer. The artists have just completed an installation of their work at Rockefeller Center, curated by Brett Littman. I was particularly moved by Mosley's words about the spiritual power of art. . Frieze Sculpture at Rockefeller Center is open through October 2. . Littman says: "The projects for this year’s Frieze Sculpture deal with a range of issues like women’s suffrage, migration, urban planning, and ecology. They are also grounded in the celebration of the natural and botanical worlds, and in some cases the artists use plants and flowers as part of their sculptures." The exhibition also includes work by Lena Henke and Camille Henrot. . It couldn't come at a better time. I look forward to visiting in person. Congratulations to everyone involved. . Pictured: Andy Goldsworthy's Breathtaking Storm King Wall, 1997-98, Storm King Art Center. . #artkeepsgoing #friezesculpture #friezesculptureatrockefellercenter #andygoldsworthy #thaddeusmosley #ghadaamer @noguchimuseum @blittman @friezeartfair
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    Wonderful call this morning with Brett Littman, director of the Isamu Noguchi Foundation and Garden, and Thaddeus Mosley, Andy Goldsworthy and Ghada Amer. The artists have just completed an installation of their work at Rockefeller Center, curated by Brett Littman. I was particularly moved by Mosley's words about the spiritual power of art. . Frieze Sculpture at Rockefeller Center is open through October 2. . Littman says: "The projects for this year’s Frieze Sculpture deal with a range of issues like women’s suffrage, migration, urban planning, and ecology. They are also grounded in the celebration of the natural and botanical worlds, and in some cases the artists use plants and flowers as part of their sculptures." The exhibition also includes work by Lena Henke and Camille Henrot. . It couldn't come at a better time. I look forward to visiting in person. Congratulations to everyone involved. . Pictured: Andy Goldsworthy's Breathtaking Storm King Wall, 1997-98, Storm King Art Center. . #artkeepsgoing #friezesculpture #friezesculptureatrockefellercenter #andygoldsworthy #thaddeusmosley #ghadaamer @noguchimuseum @blittman @friezeartfair
  • “Humankind’s relationship to nature has always played a central role in my work.” — Edward Burtynsky, May 21, 2020. . Canadian photographer Edward Burtynsky has always had a deep connection to the natural world. Over his 40-year career he’s documented the human impact on nature with captivatingly beautiful images of industrial landscapes around the globe. However, the closures this past spring provided him with an opportunity focus on the wild beauty of landscapes closer to home. He created a new body of work while in isolation in Grey County, Ontario, where he turned his lens back to nature, particularly the change of seasons and the cycle of renewal, revealing the resilience of the natural order. . Our photography program has always focused on artists who are deeply engaged with the environment and global issues. We are moved by work that explores our shared humanity and the beauty inherent in the natural world, inspiring viewers to protect it. . We will be showing works from Edward Burtynsky’s new series “Natural Order” in an upcoming group photography show at the Singapore gallery in September. . As part of the "Natural Order" release, a limited-edition portfolio will be published that will include ten 20 x 24-inch photographs from the series in a linen-covered box. The portfolio will include a new book of the same name, published by Steidl. . Edward Burtynsky, together with Nicholas Metivier Gallery in Toronto, will be donating $200,000 from the proceeds of the sale of the "Natural Order" portfolio to the Art Gallery of Ontario and the Ryerson Image Centre for the establishment of new acquisition funds dedicated to acquiring the works of emerging to mid-career Canada photographic artists. . Pictured: Edward Burtynsky, "Natural Order," Grey County, Ontario, Canada, Spring, 2020. Photographs ©Edward Burtynsky. . #naturalorder #edwardburtynsky #artkeepsgoing #sundaramtagoregallery #nature #canada🇨🇦
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    “Humankind’s relationship to nature has always played a central role in my work.” — Edward Burtynsky, May 21, 2020. . Canadian photographer Edward Burtynsky has always had a deep connection to the natural world. Over his 40-year career he’s documented the human impact on nature with captivatingly beautiful images of industrial landscapes around the globe. However, the closures this past spring provided him with an opportunity focus on the wild beauty of landscapes closer to home. He created a new body of work while in isolation in Grey County, Ontario, where he turned his lens back to nature, particularly the change of seasons and the cycle of renewal, revealing the resilience of the natural order. . Our photography program has always focused on artists who are deeply engaged with the environment and global issues. We are moved by work that explores our shared humanity and the beauty inherent in the natural world, inspiring viewers to protect it. . We will be showing works from Edward Burtynsky’s new series “Natural Order” in an upcoming group photography show at the Singapore gallery in September. . As part of the "Natural Order" release, a limited-edition portfolio will be published that will include ten 20 x 24-inch photographs from the series in a linen-covered box. The portfolio will include a new book of the same name, published by Steidl. . Edward Burtynsky, together with Nicholas Metivier Gallery in Toronto, will be donating $200,000 from the proceeds of the sale of the "Natural Order" portfolio to the Art Gallery of Ontario and the Ryerson Image Centre for the establishment of new acquisition funds dedicated to acquiring the works of emerging to mid-career Canada photographic artists. . Pictured: Edward Burtynsky, "Natural Order," Grey County, Ontario, Canada, Spring, 2020. Photographs ©Edward Burtynsky. . #naturalorder #edwardburtynsky #artkeepsgoing #sundaramtagoregallery #nature #canada🇨🇦
  • A repost from photographer Karen Knorr @karen1knorr from her London studio. . She writes: “Inspection of an XL photo on its way to Sundaram Tagore gallery printed by Bayeux in London.” . We can’t wait! 💚 . “I hope to have two new works framed by A Bliss for a display of new works on my London studio in October during Photo London.” . Known for sumptuous imagery of exotic animals digitally fused into opulent architectural settings, Knorr’s work is as multifaceted and culturally diverse as the artist herself. Born in Frankfurt and raised in San Juan, Puerto Rico, Knorr finished her education in Paris before settling in London. . Throughout her career, Knorr has used video and photography as a method of critical inquest, employing opulent palaces, temples, museums and monuments of Asia and Western Europe to frame issues of power and class structure rooted in cultural heritage. . Knorr is also an activist, who has been supporting fellow artists through the Artist Support Pledge. Due to the pandemic, many artists have found themselves without work, teaching, technical support and exhibitions. To help, artists post images of their work on Instagram which they're willing to sell for £200 each (not including shipping). Anyone can buy the work. Every time an artist reaches £1,000 in sales, they pledge to spend £200 on another artist's work. . #caringiscontagious #artistsupportpledge #karenknorr #colorphotography #turquoise #incredibleindia #india #artkeepsgoing #sundaramtagoregallery
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    A repost from photographer Karen Knorr @karen1knorr from her London studio. . She writes: “Inspection of an XL photo on its way to Sundaram Tagore gallery printed by Bayeux in London.” . We can’t wait! 💚 . “I hope to have two new works framed by A Bliss for a display of new works on my London studio in October during Photo London.” . Known for sumptuous imagery of exotic animals digitally fused into opulent architectural settings, Knorr’s work is as multifaceted and culturally diverse as the artist herself. Born in Frankfurt and raised in San Juan, Puerto Rico, Knorr finished her education in Paris before settling in London. . Throughout her career, Knorr has used video and photography as a method of critical inquest, employing opulent palaces, temples, museums and monuments of Asia and Western Europe to frame issues of power and class structure rooted in cultural heritage. . Knorr is also an activist, who has been supporting fellow artists through the Artist Support Pledge. Due to the pandemic, many artists have found themselves without work, teaching, technical support and exhibitions. To help, artists post images of their work on Instagram which they're willing to sell for £200 each (not including shipping). Anyone can buy the work. Every time an artist reaches £1,000 in sales, they pledge to spend £200 on another artist's work. . #caringiscontagious #artistsupportpledge #karenknorr #colorphotography #turquoise #incredibleindia #india #artkeepsgoing #sundaramtagoregallery
  • #Repost @golnazfathi . Loving this peek into Golnaz Fathi’s studio. Fathi trained as a classical calligrapher before establishing her own style of working. She uses texts and letters as formal elements, transforming traditional calligraphy into a personal artistic language. . Fathi’s works are in the permanent collections of the Metropolitan Museum of Art, New York; Brighton & Hove Museum, England; Carnegie Mellon University, Doha; the Islamic Arts Museum Malaysia, Kuala Lumpur; The Asian Civilisations Museum, Singapore; the British Museum, London; the Devi Art Foundation, New Delhi; and The Farjam Collection, Dubai. She has exhibited in galleries and cultural centers around the world. . To see more of Golnaz Fathi’s work click the link in our bio to visit our website. . #golnazfathi #sundaramtagoregallery #artist#art#kunst#artwork#painter#painting#curator#artcurator#picoftheday#artoftheday#contemporaryart#black#artlover#abstraction#creative#video #artcollector #yellow
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    #Repost @golnazfathi . Loving this peek into Golnaz Fathi’s studio. Fathi trained as a classical calligrapher before establishing her own style of working. She uses texts and letters as formal elements, transforming traditional calligraphy into a personal artistic language. . Fathi’s works are in the permanent collections of the Metropolitan Museum of Art, New York; Brighton & Hove Museum, England; Carnegie Mellon University, Doha; the Islamic Arts Museum Malaysia, Kuala Lumpur; The Asian Civilisations Museum, Singapore; the British Museum, London; the Devi Art Foundation, New Delhi; and The Farjam Collection, Dubai. She has exhibited in galleries and cultural centers around the world. . To see more of Golnaz Fathi’s work click the link in our bio to visit our website. . #golnazfathi #sundaramtagoregallery #artist#art#kunst#artwork#painter#painting#curator#artcurator#picoftheday#artoftheday#contemporaryart#black#artlover#abstraction#creative#video #artcollector #yellow